Quarry Cover
Read Issue #329

Quarry

By Lauren Acampora

In Lauren Acampora’s “Quarry,” Bill and Lina, just back from a safari, recount their trip to another couple and, in the process, shine a light on the complexities of the tourist industry and their participation in it.

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Needless Things Cover
Read Issue #328

Needless Things

By Gemma Clarke

Ela, a recent immigrant to the U.S., finds herself in charge of a stranger’s runaway child at a shopping mall—a situation that not only jeopardizes Ela’s low-wage job but also threatens to upend her precarious new life.

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Learning from Buckeye with Patrick Ryan

Get a glimpse behind the scenes of the creation of Editor-in-Chief Patrick Ryan’s multigenerational epic, in this three-day class. Students will receive a copy of the book with a bookplate signed by the author.

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October 23-25

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Learn tips and techniques for revising in this self-guided class. You’ll get five in-depth revision techniques to sharpen your work. By the end of the course you’ll have new skills, a helpful to-do list, and pages of new material to move your revision in the right direction.

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A Haunted House Short Story Course with Puloma Ghosh

Join Puloma Ghosh to ring in all hallows season with stories of houses visited by otherworldly entities and examine how they can be vessels for anxieties around family, death, memory, and society.

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Worldbuilding for Any Story with Anya Johanna DeNiro

Read writers such as Ursula LeGuin, Kelly Link, Jorge Luis Borges, and Anna Kaval and explore how they use contextual cues (and clues) to create a sense of spatiality in their stories.

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2025 Lecture Series with Becky Mandelbaum

Hone your craft in 2025 with eight lectures on the craft of fiction.  In our next lecture, Becky Mandelbaum will discuss techniques for increasing tension in your work by putting pressure on characters.

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Something’s in the Water

By Eliza Shannon

Christine and two other teens are trying to earn their summer camp swim badges, halfway across Lake Passamoonshine when things take a harrowing turn. Why? Because they aren’t alone in the lake.

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This self-guided class will answer your questions about how to present your work and yourself to the editors, agents, and selection committees on the other side of the submit button.

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